Navigating the Evolution of Broadcast Production in Ghana: Challenges, Innovations and Cultural Implications
DOI:
https://doi.org/10.53819/81018102t4319Abstract
The rapid evolution of broadcast production has significantly reshaped the television industry, influencing content creation, regulatory frameworks, and cultural representation. This study examines the challenges and opportunities faced by Ghanaian broadcast production houses as they adapt to digital transformation. Using Media Evolution Theory and Diffusion of Innovation Theory as conceptual lenses, the research explores the impact of technological advancements on production quality, the effectiveness of regulatory policies governing digital broadcasting, and strategies for preserving cultural identity amidst globalisation. Through a qualitative approach, data were gathered via in-depth interviews with key industry stakeholders. Findings reveal that while digital tools enhance production efficiency and audience engagement, financial constraints and skill gaps hinder seamless adoption. Regulatory frameworks, though aimed at maintaining ethical standards, lack clarity in addressing over-the-top (OTT) platforms and emerging digital trends. Additionally, cultural preservation remains a challenge, with media houses employing localized content strategies to balance authenticity and global competitiveness. The study recommends policy reforms to accommodate digital disruptions, strategic investments in media innovation, and industry-academia collaborations to equip professionals with emerging technological skills. These measures will ensure a sustainable and culturally relevant broadcasting landscape in Ghana.
Keywords: Broadcast Production, Digital Transition, Media Regulation, Cultural Identity, Media Evolution, Innovation In Broadcasting, Ghanaian Television Industry
References
Alhassan, A. (2018). Media landscapes in Ghana: Evolution and transformation. Accra: University of Ghana Press.
Asante, K. (2020). Digital broadcasting in Africa: Opportunities and challenges. London: Routledge.
Creswell, J. W. (2014). Research design: Qualitative, quantitative, and mixed methods approaches (4th Ed.). Thousand Oaks, CA: SAGE Publications.
Gitelman, L. (2017). Paper knowledge: Toward a media history of documents. Durham, NC: Duke University Press.
Kperogi, F. A. (2021). Digital dissidence and social media censorship in Africa. New York: Palgrave Macmillan.
Lievrouw, L. A., & Livingstone, S. (2022). Handbook of new media: Social shaping and social consequences of ICTs. London: SAGE.
Mensah, J., & Osei, D. (2022). Media policy and governance in Ghana: Historical perspectives and future directions. Accra: Ghana Publishing Corporation.
Nyarko, P. (2019). Public service broadcasting in Ghana: Challenges and prospects. Accra: Media Foundation for West Africa.
Owusu, M. (2021). The impact of digital technologies on Ghanaian television production. Accra: Institute of African Studies.
Rogers, E. M. (2003). Diffusion of innovations (5th ed.). New York: Free Press.
Storsul, T., & Krumsvik, A. H. (2013). Media innovations: A multidisciplinary study of change. Gothenburg: Nordicom.
Tambini, D., Leonardi, D., & Marsden, C. (2017). Regulating the digital economy: The impact of digital platforms on public policy and governance. Oxford: Oxford University Press.
Tomlinson, J. (1991). Cultural imperialism: A critical introduction. London: Continuum.